One of my main photographic goals is to tell the story of the motion that happens in the world. I often use a number of common techniques (such as panning), and those typically
There have been a great many photographers who loved being behind the camera, but who were hesitant to have their own pictures taken. For whatever reason, I have never been that way. And
I mentioned in part 1 that it's important to take some time before the meet to make guiding decisions about the general shape of the coverage. As a documentary photographer, I always feel
"Can you tell a story without moving?" That's the essence of a photography exercise I first went through about 13 years ago, during one of the only two photography classes I've ever taken.